A24's Primetime Struggles With Its Own Identity

A24 recently premiered its new film Primetime at Fantastic Fest in Austin, Texas. Starring Robert Pattinson, the movie examines the rise and eventual downfall of the television series To Catch a Predator. The story focuses on the media frenzy surrounding the show and the complex legacy of host Chris Hansen, specifically looking at the controversial events that occurred in Murphy, Texas.

The film features strong performances from Pattinson and Skyler Gisondo, who both manage to be electric and compelling on screen. However, the movie suffers from a significant identity crisis. Director Lance Oppenheim and writer Ajon Singh seem to disagree on the tone of the project, leaving the audience stuck between dark satire and a serious investigation into media ethics.

While the first act uses dark humor to highlight the absurdity of hidden camera television, this approach becomes uncomfortable as the narrative progresses. The movie attempts to point fingers at the network, the producers, and Hansen himself, but it never settles on a clear message. By the time the credits roll, the film has managed to immortalize its subject while failing to decide what it actually wants to say about him.

Ultimately, the film feels like two different movies fighting for space. While the acting is top tier, the mixed signals from the script and direction keep the film from reaching its full potential. Fans of A24 dramas will find plenty to talk about, but they may leave the theater wondering why the creators could not stick to a singular, focused perspective.